Department of Culture issues 77th edition of “Al Masrah” magazine

In the introduction, a group of local artists share reflections on the importance of Sharjah Theatre Days and its role in enriching the cultural scene, as preparations continue for the 35th edition, scheduled for 24 to 31 March.

Critical readings of recent productions

The “Readings” section features several articles reviewing notable theatrical works. Samer Mohammed Ismail reviews Rose of Seville, the latest production by Syrian director Ahmed Zuhair, while Ikram Al Zaqli reviews Free Fall by Egyptian director Mohammed Faraj Al Khashab.
Riyad Mousa Sakran discusses Limping Shores by Emirati director Issa Kaid, and Al Hussam Mohi El Din reviews Rosemary by Lebanese director Shadi Al Habr. Sarah Ashraf reviews the musical Umm Kulthum, directed by Ahmed Fouad, while Yousri Hassan examines Picnic on the Frontlines by Lebanese director Julia Kassar.

Interviews and international perspectives

In the “Dialogue” section, Saeeda Sharif interviews Moroccan playwright and researcher Said Naji, who reflects on his theatrical journey and key influences.
The “Travels” section presents Ziad Adwan’s account of his trip to Munich to attend a conference on the future of Syrian theatre.

Exploring modern theatre and criticism

The “Visions” section includes an article by Hamed Hamdawi on postmodern theatre, alongside a piece by Faiza Massoudi examining theatre criticism and the challenges posed by artificial intelligence.

Profiles, reports, and festival coverage

In the “Horizon” section, readers find an interview with Nabil Bahgat about his efforts to document and promote puppet theatre across the Arab world and beyond.
The “Letters” section covers the 13th Sharjah Scout Theatre Festival, along with international reports, including coverage of Monica’s Dance in Malmö, Sweden, and the revival of interactive theatre in Egypt.

The issue also features book reviews, performance follow-ups, and interviews with award-winning actors from the latest Carthage Theatre Days, as well as a conversation with Emirati director Ali Jamal about his play The Bet, which is described as a turning point in his artistic career.