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Italian researcher Valentina Salerno discovered unpublished documents showing that students of Michelangelo maintained a room containing these works, secured with a system of multiple keys to restrict access. The documents trace the artist’s involvement with the Brotherhood of the Most Holy Crucifix and suggest that the concealment aimed to protect his creations from unwanted heirs.
The pupils involved eventually helped establish the Academy of San Luca, which still exists. Salerno also identified a bust of Christ the Saviour in Rome’s Basilica of Sant’Agnese, historically attributed to anonymous artists, which she believes to be a genuine Michelangelo. The bust shares notable similarities with Tommaso dei Cavalieri, a young nobleman who was significant in the artist’s life.
Salerno’s findings are part of her ongoing study of Michelangelo and have yet to undergo peer review, but they offer new insight into how the Renaissance master may have worked to secure his artistic legacy.