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Ellis explained that although deserts across the UAE possess a natural sense of magic, she is particularly drawn to locations defined by vast, towering dunes that complement her abstract artistic approach. With a background interest in sculpture, she perceives the desert not merely as a landscape, but as a dynamic visual form shaped by movement and rhythm.
She described the flowing contours of the dunes as resembling calligraphy created by nature, where waves of sand form expressive, written-like patterns across the terrain. This visual language, she noted, offers endless inspiration and depth.
Ellis highlighted that her work in the desert focuses on exploring light, shadow and texture, using her camera as a creative tool in much the same way a painter uses a brush. Rather than documenting scenery, she constructs abstract compositions that emphasise form, contrast and emotion.
Viewing the world as a visual poem, Ellis approaches photography as a meditative practice in which stillness and feeling converge. She considers the desert an ideal space for this process, particularly expansive dune landscapes that allow her to “draw” freely with light, transforming sand into visual calligraphy.